From 3083b7fbe2bc6e8dcd935b10bb7a165257c5252b Mon Sep 17 00:00:00 2001 From: Eric Wong Date: Mon, 18 Jan 2016 05:18:09 +0000 Subject: doc: convert to perlpod(1) from Markdown perlpod(1) is already installed by default on Debian and RedHat-based systems; and probably most modern *nixes; pandoc(1) (and Haskell) are not. POD also more standardized than Markdown (which flavor? :P), especially for generating manpages. So save any potential documentation editors some disk space by not forcing them to install Haskell and pandoc. Finally, I'm a mildly proficient in Perl and do not know Haskell at all and have a better chance at reading/hacking the source if the document generator breaks. --- Documentation/dtas-splitfx.txt | 188 ----------------------------------------- 1 file changed, 188 deletions(-) delete mode 100644 Documentation/dtas-splitfx.txt (limited to 'Documentation/dtas-splitfx.txt') diff --git a/Documentation/dtas-splitfx.txt b/Documentation/dtas-splitfx.txt deleted file mode 100644 index 352c0a5..0000000 --- a/Documentation/dtas-splitfx.txt +++ /dev/null @@ -1,188 +0,0 @@ -% dtas-splitfx(1) dtas user manual - -# NAME - -dtas-splitfx - split audio and apply effects to all tracks - -# SYNOPSIS - -dtas-splitfx SPLITFX_FILE.yml [OPTIONS] [TARGETS] [ARGS...] - -# DESCRIPTION - -dtas-splitfx reads as YAML file and can apply effects (including -resampling/dither), split, tag, and encode files in parallel. -dtas-splitfx is intended for splitting recordings from vinyl and live -concerts into separate files. dtas-splitfx is inspired by cuesheets for -CD audio and the make(1) build tool. - -dtas-splitfx primarily uses sox(1), but it is possible to define targets -to use ecasound(1), too. - -# OPTIONS - --j, \--jobs [JOBS] -: Number of jobs to run in parallel. If no number is specified, all - jobs are run in parallel. - --n, \--dry-run -: Print, but do not run the commands to be executed - --s, \--quiet, \--silent -: Silent operation, commands are not printed as executed - --D, \--no-dither -: Disable automatic setting of the DITHERFX env. This also passes - the option to sox(1) via SOX_OPTS. - --O, \--outdir OUTDIR -: Set output directory instead of current directory. - User-created targets must allow a placeholder for the - (by default, an empty string) $OUTDIR environment variable - in the output command. - --C, \--compression FACTOR -: Set the compression factor passed to sox(1). See soxformat(7) - for more information on how it works across different formats. - --r, \--rate RATE -: Override the output sample rate in the specified TARGET - --b, \--bits BITS -: Override the output bit depth in the specified TARGET - --t, \--trim POSITION -: Passes a POSITION argument to the sox "trim" effect to allow - limiting output to only process a portion of the original. - This bypasses the "tracks" section and of the YAML file and - outputs the result as a single file with the TRACKNUMBER - of "000". For ease-of-typing, commas in this command-line - argument are automatically expanded to spaces when passed to sox. - --p, \--sox-pipe -: Used in place of an output target to specify outputting audio data in - the native "sox" format to another sox(1) or play(1) command. This - moves printing of output to stderr and disables parallel job invocation. - -# FILE FORMAT - -* infile - string, the pathname of the original audio file -* env - ordered hash of environment variables to set for all commands - env: !omap - FX: gain 3 stats -* comments - hash of common tags for all audio (e.g. ARTIST, ALBUM, YEAR) - comments: - ARTIST: John Smith - ALBUM: Hello World - YEAR: 2013 -* track_start - integer, number to start the track count at (default: 1) -* cdda_align - boolean, enforce sector alignment for audio CDs (default: false) -* track_zpad - boolean or integer. Zero-pad the TRACKNUMBER in metadata and - filenames. If an integer, this creates a fixed padding even if the - padding is not necessary. If true, this only pads as needed for the - highest-numbered track (default: true) -* tracks - array, see "TRACKS" section -* targets - hash, see "TARGETS" section -* command - used only by dtas-player(1) - -# TRACKS - -Tracks may be defined by a start time, with the stop time defined -automatically by the start of the next track, stop time, or a skip -segment. - -* t TIME TITLE [fade_in/fade_out=FADE_ARGS] - the start of a new track - at TIME with TITLE. An optional fade_in and fade_out may be specified - for the first/last tracks. -* skip TIME - skip a segment starting at TIME. "skip" segments are - useful for skipping long gaps between tracks (such as flipping vinyl - or intermission at concerts) -* stop TIME - stop the last track This should be the last directive in - the "tracks" array. - -An example of the tracks array for a 4 track EP follows: - - tracks: - - t 0:21 "This is the first track of an EP" fade_in='t 1' - - t 7:11.6 "Second track of side A of an EP" - - skip 9:18 # this is where I flip the record, comments are allowed - - t 9:41 "3rd track of an EP" - - t 13:36.5 "Final track of the EP" fade_out='t 1' - - stop 18:11 - -# FADES - -dtas-splitfx automatically sets up fade-in/fade-out effects for sox(1) -based on track times. These are to be used in "t" (track) directives in -the "tracks" array: - -* fade_in="[TYPE] LENGTH" -* fade_out="[TYPE] LENGTH" - -TYPE is optional, but LENGTH is required. See sox(1) for a description -of the fade type. - -# ENVIRONMENT - -dtas-splitfx sets several default environment variables for commands to -use in targets: - -* INFILE - this matches the "infile" directive in the YAML file -* INDIR - the directory INFILE belongs to, without trailing slash -* INBASE - the basename of INFILE -* TBEG - the integer sample offset where the sox(1) trim effect starts -* TLEN - the integer sample count representing the length of the trim -* TRIMFX - essential, this supplys the necessary sox(1) trim effect to - each track. In other words, this is: "trim ${TBEG}s ${TLEN}s" -* COMMENTS - expands to --comment-file=PATH for sox(1) -* OUTDIR - placeholder for --outdir, defaults to an empty string -* SUFFIX - the suffix of the output format without "." (e.g. "flac", "ogg") -* TRACKNUMBER - the track number, useful for comments and filenames -* RATEFX - rate effect and arguments for sox(1) resampling -* DITHERFX - dither effect and arguments for sox(1) dithering -* FX - any user-specified sox effects which encompases the entire file. - (e.g. "highpass 35 gain 3 stats") - -# TARGETS - -The default targets will split audio and avoid applying any effects. -They are named after common audio formats supported by sox(1): - -* flac -* ogg -* mp3 -* sox - -If not specified, "flac" is the default target. - -Additional targets supported by default. - -* flac-cdda - this encodes the audio to "flac" format while being - easily decompressible to a format suitable for being burned to audio CD. - -Custom targets may easily be defined to apply effects and gain. For -example, the following "flac24" target raises the volume of the left -channel by 9.5dB and the right one by 8.5dB to compensate for channel -imbalance in a live concert recording from the audience: - - targets: - flac24: - command: sox -M - "|sox $INFILE -c1 -p $TRIMFX remix 1v1 gain 9.5" - "|sox $INFILE -c1 -p $TRIMFX remix 2v1 gain 8.5" - $COMMENTS $OUTFMT - ${OUTDIR}bandYYYY-MM-DD.FOO.t0"$TRACKNUMBER.$SUFFIX" - $RATEFX $DITHERFX stats - format: - type: flac - bits: 24 - rate: 48000 - -# COPYRIGHT - -Copyright 2013-2016 all contributors .\ -License: GPL-3.0+ - -# SEE ALSO - -sox(1), ecasound(1), flac(1), dtas-player(1) -- cgit v1.2.3-24-ge0c7