Date | Commit message (Collapse) |
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Using the 'update-copyright' script from gnulib[1]:
git ls-files | UPDATE_COPYRIGHT_HOLDER='all contributors' \
UPDATE_COPYRIGHT_USE_INTERVALS=2 \
xargs /path/to/gnulib/build-aux/update-copyright
[1] https://git.savannah.gnu.org/git/gnulib.git
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HTTPS allows some level of security(*) and we've actually
supported it on 80x24.org for many months, now. So, point new
readers to it.
Moving away from hostname-based homepages will allow us to save
on subjectAltName space (and bandwith) when negotiating an HTTPS
connection. We'll also have an .onion mirror for Tor users,
soon, too; in case we can't afford to pay ICANN in the future.
(assuming TLS libraries don't have any more Heartblead-level
bugs in them, CAs aren't compromised, MITM HTTPS stripping
proxies don't get in your way, and your certificate bundle isn't
compromised).
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Using the 'update-copyright' script from gnulib[1]:
git ls-files | UPDATE_COPYRIGHT_HOLDER='all contributors' \
UPDATE_COPYRIGHT_USE_INTERVALS=2 \
xargs /path/to/gnulib/build-aux/update-copyright
[1] git://git.savannah.gnu.org/gnulib.git
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While we're in the area, make a wording change from "GPLv3 or later"
to "GPL-3.0+", as the latter is favored by SPDX.org
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This feature is intended to allow users to "zoom-in" on a
particular portion of a track to tweak parameters (either
with dtas-sourceedit(1) or via playback of splitfx YAML files).
This may be combined with looping the tracklist
(via "tl repeat").
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The documentation part is managed by the new
Documentation/update-copyright script. For the future, the rest may
be managed by the update-copyright tool in gnulib
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I'm still normal, and still trolling, but 80x24.org will be epic :)
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Some containers (e.g. large VOBs) are not easily probed and require
additional options for avprobe/ffprobe to find audio streams. We do
this by looping and increasing the duration/size of the probe to
find new audio streams.
This seems to work reasonably well for some DVD rips I have until
seeking is required. This breaks if the seek point (including seeks
for source effects) exceeds the avprobe/ffprobe -analyzeduration.
Anyways, I recommend extracting the audio stream (without
transcoding) out of the VOB container as the best way to go.
Something like:
avconv -analyzeduration 2G -probesize 2G \
-i input.vob -vn -sn -c:a copy -map 0:$STREAM_NR output.ext
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We don't need it since IO#read(bytes, buf) will convert to
ASCII-8BIT anyways. Everywhere else, we ensure path names are
already binary. We do this mainly at the client layer before using
Shellwords to escape the paths.
We also must be careful about parsing output from soxi/avprobe
which can show us metadata in whatever encoding is in the file.
We must still handle data from parsing command output as binary,
as the encoding of file metadata tends to vary.
This also should buy us Syck compatibility for Ruby 1.9.3 users
on Debian systems where Ruby 1.9.3 still uses Syck.
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All files we distribute in the tarball need to have a
copyright/license specified for Savannah.
We don't need the example state file anymore.
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Since ffmpeg/ffprobe are wrappers around their libav-variants,
I haven't had the chance to actually test with "real" ffmpeg,
but the usage is probably similar enough to not matter.
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We should be fully-capable of managing any number of options
to try sources in.
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This should better prepare us to make "source ed" into
"source <av|sox> ed" and set per-source priorities.
We also now treat @env consistently for all per-source commands
(such as soxi/avprobe) so we can be sure we're using the same
installation of sox or libav if using a non-standard PATH, or if we
want to set AV_LOG_FORCE_NOCOLOR
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I forgot :err is already handled by Process.spawn, so split out
the functionality into err_str where we want to use it.
Also, add a :no_raise flag which will allow us to better handle
avprobe/soxi calls which can fail and avoid needless exceptions.
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We need to tell sox to use and resample to the _player_ format
instead of the source format. Otherwise 48000 Hz audio (common for
video?) sounds very slow when attempting to play back on the default
44100 Hz. It is also likely preferable to choose the audio stream
which matches the player channel count instead of letting sox
automatically invoke the remix effect.
Before this change, playing 6-channel, 48000 Hz source into a sink
expecting stereo, 44100 Hz is rather disturbing...
While we're at it, clarify the spawn code for the sox source, too.
We can drop the test_format_from_file test now, since
it's probably overkill at this point.
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avconv is capable of outputting to the .sox format, greatly
simplifying our life as it enables us to easily apply sox
effects on a per-source file basis.
dtas-sourceedit and the "source" protocol commands will need
to change to support internal priorities (like sink).
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