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We support this feature, so it should probably be shown along with
the repeat status of the tracklist. Ensure we notify all of our
listeners about the status change in player, too.
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Using the 'update-copyright' script from gnulib[1]:
git ls-files | UPDATE_COPYRIGHT_HOLDER='all contributors' \
UPDATE_COPYRIGHT_USE_INTERVALS=2 \
xargs /path/to/gnulib/build-aux/update-copyright
[1] git://git.savannah.gnu.org/gnulib.git
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It probably makes sense for the -console user to know if tracklist
repeat and trim are enabled. Have player emit these in "current"
output and let the console client track them for now.
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When invoking the "current" command, the player now returns the
first track + offset in the queue.
This should make it easier to show what's paused or not.
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Oops :x
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While we're in the area, make a wording change from "GPLv3 or later"
to "GPL-3.0+", as the latter is favored by SPDX.org
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This is on a linear scale from 0.0 (mute) to 1.0 (no change)
This is in the MPRIS spec and mpd as well (scaled to 0-100)
This changes dtas-console key bindings (0/9) slightly to match
mplayer more closely. ReplayGain preamp adjustment has moved from
'0'/'9' to '7'/'8' keys. The 'm' key also toggles mute state (the
pre-mute volume is stored in the dtas-console instance, not in
dtas-player itself).
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This allows clients to quickly query tracklist
size/position/shuffle/random info.
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This (from the point of the client) will atomically swap
two tracks. This should allow easily implementing of a
tracklist editor.
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This avoids stalling when we have a gigantic tracklist.
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It is orders of magnitude more efficient to implement this
in the player and very noticeable when using large playlists.
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It makes more sense to return the previous value
rather than the newly-set one, since the user presumably
knows what they're setting and might care about the
previous value.
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The dpc_tl method was becoming too large, split it up into
sub-methods for easier readability. While we're at it,
at least make "tl repeat" consistent with "tl shuffle"
when setting new values.
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This defaults to 16384? This is what mpd uses by default as well.
Of course folks interacting with dtas-player directly can override
this:
dtas-tl max INTEGER
dtas-tl max
This is NOT meant to be a hard security measure for local users
talking to dtas-player directly. It is only to prevent
accidentally stupid things like flooding the playlist with
a broken script and to prevent remote users from DoS-ing
us via the to-be-written mpd proxy/emulation layer.
Remember: dtas-player itself will ALWAYS remain capable of
executing arbitrary code :)
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This is in the MPRIS 2.0 TrackList spec and also in mpd (as "repeat"
mode), so we can probably support it directly in player to ease
implementations of future wrappers.
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This is easier for users to read and type; and _might_ help with
race conditions due to fast object recycling from GC. We'll also be
implementing playist versioning on top of this in the next commits
for MPD protocol compatibility.
Unfortunately this adds an additional 40 bytes of per-track overhead
(on 64-bit systems, its only 20 bytes on 32-bit). However, we may
be able to save memory in the future by supporting dtas-mlib node
IDs if we integrate dtas-player with DTAS::Mlib.
While we're at it, include a minor speedup for
DTAS::Tracklist#remove_track by using Array#delete_at instead of
relying on Array#compact! after assignment
This should improve "dtas-tl cat" output readability dramatically.
The state file (~/.dtas/player_state.yml) remains compatible
between dtas-player before and after this change.
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We can generate many command calls easily and dynamically, so
avoid the code and cognitive overhead for the majority of commands.
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We already convert xs arg to be an Array, so avoid bloating
our code with redundancy.
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This feature is intended to allow users to "zoom-in" on a
particular portion of a track to tweak parameters (either
with dtas-sourceedit(1) or via playback of splitfx YAML files).
This may be combined with looping the tracklist
(via "tl repeat").
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Hopefully this makes the code less daunting to newcomers
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The documentation part is managed by the new
Documentation/update-copyright script. For the future, the rest may
be managed by the update-copyright tool in gnulib
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This makes debugging, grepping, and following code confusing
at times and also unexpected breaks usage of the global "spawn"
method.
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dtas-sinkedit now shows default parameters in addition
to user-changed parameters, allowing easier editing.
Also, we need to be able to revert back to using the default
pipe_size on Linux by setting pipe_size to nil (as an empty
field in YAML).
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This becomes useful for systems without inotify when we're editing
YAML (or whatever) files frequently and want changes to be reflected
right away during playback. This is a weaker version of the plain
"restart" command, which restarts the entire playback chain.
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Merely converting the `before' source information to a hash is not
enough, as the `env' sub-hash is mosified in-place and shared with
the `after' hash. So use `inspect' to serialize and snapshot the
env and rely on a string comparison.
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This generates smaller bytecode and avoids unnecessary captures.
Perhaps the Ruby optimizer can be taught to handle this
automatically.
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This reduces captures and is more consistent with our other code.
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I'm still normal, and still trolling, but 80x24.org will be epic :)
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We are Ruby 1.9+ only, so shorten our code just a little
and hopefully make things easier-to-read.
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This simplifies the check for the current track and
won't attempt to compare track IDs not on the tracklist.
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A paused/seeked track in the tracklist may end up in the queue.
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The player should start playing the new track if the current tracklist
is exhausted and not paused.
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This prevents us from resetting the tracklist when we
add new tracks and want to restart playback.
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The addition of a "need_to_queue" method should reduce the amount of
cognitive overhead required to parse these conditions
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Oops.
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This gives us consistency with the "cue prev" command,
is easier-to-type, and is consistent in length with "tl next".
We'll just map "previous" -> "tl prev" when we implement the
MPRIS bridge.
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This adds the ability to seek internally within FLAC file
based on the internal CUE sheet. Other formats may be supported
in the future, but FLAC is the only one I know of which supports
embedded cue sheets.
Note: flac 1.3.0 is recommended for users of non-CDDA-compatible
formats.
See updates to dtas-player_protocol(7) for details.
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Using "tl goto" implies we start playback of the player is idle.
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This may be used to avoid automatic:
* resampling (rate)
* down/upmixing (channel)
* dither/truncation (bits)
Using any bypass mode means we can no longer guarantee gapless
playback for audio collections where rate, channel, or bits vary.
This can however be useful when CPU usage is too high. This may
also be useful in audio engineering situations.
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When a player is idle and a track is added to an empty tracklist,
we should not repeat the first track added to the tracklist. Avoid
that by advancing the tracklist to the current track.
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This is necessary to handle the case where the tracklist is empty,
clients get confused and timeout the response if we attempt to emit
an empty string.
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"wall" is analogous to the wall(1) command, so we shall use that
instead of echo.
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Because sometimes a song is just stuck in our head.
Or MPRIS 2.0 wants us to implement it this way...
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This should make implementing SetPosition in the MPRIS 2.0 spec
possible.
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This means we can go back and forth in the tracklist like a normal
music player. This will allow an easier MPRIS 2.0 implementation.
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Otherwise we end up constantly pushing tracks to the top of the
queue and getting surprising behavior if seek is called repeatedly.
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This allows easier scripting if we want to add a bunch of tracks
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This should allow us to repeat through a list of tracks with relative
ease. There is a rudimentary dtas-tl client implemented. This
may be removed in the future.
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This allows users to display the current env value for introspection
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stop_sinks is already defined, so avoid repeating this loop
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