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author | Eric Wong <e@80x24.org> | 2015-05-18 04:48:18 +0000 |
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committer | Eric Wong <e@80x24.org> | 2015-05-18 04:50:24 +0000 |
commit | 7ca5d0bfc714c254c374af9cbc2e024a8b439725 (patch) | |
tree | 5de31cbca5006e20c43f0c506b02ac60e127ecb5 /lib/dtas/splitfx.rb | |
parent | 68bd2d7c785e42bdde3834f144b42fdb506434c9 (diff) | |
download | dtas-7ca5d0bfc714c254c374af9cbc2e024a8b439725.tar.gz |
Lossy file encoding has too many tunable variables and it is not a good fit for an audio production tool such as dtas-splitfx. This was becoming a maintenance burden for me and is a sign of featuritis.
Diffstat (limited to 'lib/dtas/splitfx.rb')
-rw-r--r-- | lib/dtas/splitfx.rb | 15 |
1 files changed, 0 insertions, 15 deletions
diff --git a/lib/dtas/splitfx.rb b/lib/dtas/splitfx.rb index 9420faf..6bac27f 100644 --- a/lib/dtas/splitfx.rb +++ b/lib/dtas/splitfx.rb @@ -77,21 +77,6 @@ class DTAS::SplitFX # :nodoc: "channels" => 2, }, }, - "opusenc" => { - "command" => 'sox "$INFILE" $COMMENTS $OUTFMT - ' \ - '$TRIMFX $FX $RATEFX $DITHERFX | opusenc --music ' \ - '--raw-bits $BITS_PER_SAMPLE ' \ - '$OPUSENC_BITRATE --raw-rate $RATE --raw-chan $CHANNELS ' \ - '--raw-endianness $ENDIAN_OPUSENC ' \ - '$OPUSENC_COMMENTS ' \ - '- $OUTDIR$TRACKNUMBER.opus', - "format" => { - "bits" => 16, - "rate" => 48000, - "type" => "s16", - "channels" => 2, - }, - }, } @tracks = [] @infmt = nil # wait until input is assigned |