about summary refs log tree commit homepage
path: root/Documentation
diff options
authorEric Wong <e@80x24.org>2015-05-10 09:15:27 +0000
committerEric Wong <e@80x24.org>2015-05-10 09:35:57 +0000
commitd3e2d5cfa8ab2c4e8f65ac6b2bdb6212b8b4ea8b (patch)
tree00fc98e39d1f536dc85d34d8ada777670ff4c056 /Documentation
parent619b08c9d4e43d94bac39cd395c1def6fa796f06 (diff)
Followup-to commit 403ed90e2e7bed3e017938d76e17037b0d5059b6
(replaygain uses the "gain" effect instead of "vol")

The `gain' effect seems superior as it can "see" across the effects
chain to take into account extra/lost headroom.
Diffstat (limited to 'Documentation')
3 files changed, 8 insertions, 8 deletions
diff --git a/Documentation/dtas-env.txt b/Documentation/dtas-env.txt
index 374f626..0f59709 100644
--- a/Documentation/dtas-env.txt
+++ b/Documentation/dtas-env.txt
@@ -24,7 +24,7 @@ INFILE - the primary input file for playback or processing.
 (e.g. "/path/to/ex.flac")
 RGFX - the sox effect used for applying ReplayGain compensation.
-Only used during playback in dtas-player.  (e.g. "vol -6.0dB").
+Only used during playback in dtas-player.  (e.g. "gain -6.0").
 Removing this prevents ReplayGain from working and may damage
 playback equipment with loudly mastered music.
diff --git a/Documentation/dtas-player_effects.txt b/Documentation/dtas-player_effects.txt
index 9bfc525..58b69c7 100644
--- a/Documentation/dtas-player_effects.txt
+++ b/Documentation/dtas-player_effects.txt
@@ -7,9 +7,9 @@ They are applied in the order described.
   rely on inter-track information.
   Examples include:
-  - ReplayGain (simple vol/gain changes)
+  - ReplayGain (simple gain changes)
   - anything which does not change the length of the audio:
-    vol, stereo, highpass, lowpass, loudness, bass, treble, equalizer, ...
+    gain, stereo, highpass, lowpass, loudness, bass, treble, equalizer, ...
   Modifying source effects should introduce no extra gaps in playback.
   Effects which modify the length of the audio is not recommended here,
@@ -34,7 +34,7 @@ They are applied in the order described.
   - delaying a certain channel or frequency range for time-alignment
   - compressors/limiters
   - reverb
-  - vol
+  - gain
   - remix (for stereo image adjustments)
   Additionally, effects which are necessary due to the limitation of the
diff --git a/Documentation/dtas-splitfx.txt b/Documentation/dtas-splitfx.txt
index a6a1f7d..27e6007 100644
--- a/Documentation/dtas-splitfx.txt
+++ b/Documentation/dtas-splitfx.txt
@@ -46,7 +46,7 @@ to use ecasound(1), too.
 * infile - string, the pathname of the original audio file
 * env - ordered hash of environment variables to set for all commands
     env: !omap
-      FX: vol +3dB stats
+      FX: gain 3 stats
 * comments - hash of common tags for all audio (e.g. ARTIST, ALBUM, YEAR)
       ARTIST: John Smith
@@ -118,7 +118,7 @@ use in targets:
 * RATEFX - rate effect and arguments for sox(1) resampling
 * DITHERFX - dither effect and arguments for sox(1) dithering
 * FX - any user-specified sox effects which encompases the entire file.
-  (e.g. "highpass 35 vol +3dB stats")
+  (e.g. "highpass 35 gain 3 stats")
@@ -150,8 +150,8 @@ imbalance in a live concert recording from the audience:
         command: sox -M
-          "|sox $INFILE -c1 -p $TRIMFX remix 1v1 vol +9.5dB"
-          "|sox $INFILE -c1 -p $TRIMFX remix 2v1 vol +8.5dB"
+          "|sox $INFILE -c1 -p $TRIMFX remix 1v1 gain 9.5"
+          "|sox $INFILE -c1 -p $TRIMFX remix 2v1 gain 8.5"
           $COMMENTS $OUTFMT
           $RATEFX $DITHERFX stats